Dana Katz



Postdoctoral Fellow

Aufenthalt am Forschungskolleg Humanwissenschaften:
Juni-August 2024

Forschungsthema am Forschungskolleg Humanwissenschaften:
»A Lost Mediterranean Landscape: The Parklands and Palaces of Medieval Sicily«

Projektbeschreibung:
The project, which is to be published as a scholarly monograph, focuses on an historical landscape of the medieval Mediterranean. The twelfth-century Norman kings of Sicily created a circuit of parklands to surround their capital Palermo. Modeled on elite Islamic estates, these Christian rulers carved monumental lakes into the landscape and ordered curated parks into which they introduced specific species of fauna and flora. For these sites, they relied on hydraulic engineering for water features and botanical and agricultural knowledge originating in the Islamic world. Their royal parkland palaces formed the nuclei of these green spaces and are some of the best-preserved examples of medieval secular architecture in the Latin West. Even more striking, the Norman kings placed monumental epigraphy in Arabic that exalted them atop their residences, facing onto the city, most likely composed by Muslim poets. Over time, there was a seismic shift in the relations between the Norman rulers and their Muslim subjects. From relative tolerance under the first king Roger II (r. 1104–56), this population faced persecution and systematic forced assimilation under his successors in the second half of the twelfth century. The study of these medieval parklands, delimiting a landscape of power, modifies current understandings that can be extrapolated to an examination of multi-ethnic relations in the wider region. The interpretation of the park architecture encompasses a comparative Mediterranean context, and I incorporate examples primarily from the Iberian Peninsula and Maghreb into my work. The book I am completing considers the interplay of the three connected elements of landscape, architecture, and interfaith relations in a pre-modern hegemonic society. (Dana Katz)

Zusammenarbeit:
Dana Katz folgt der Einladung von Hagit Nol, Juniorprofessorin für Islamische Archäologie an der Goethe-Universität Frankfurt am Main. Ihr Aufenthalt wird durch das von der VolkswagenStiftung geförderte Projekt »Islamische Archäologie und Kunstgeschichte« (IAAH) unterstützt.

Wissenschaftliches Profil von Dana Katz


Dr. Dana Katz ist Kunst- und Architekturhistorikerin, die sich auf materielle Kultur des mittelalterlichen Mittelmeerraums spezialisiert hat. Im Jahr 2016 promovierte sie in Philosophie an der University of Toronto mit einer Dissertation zum Thema »A Changing Mosaic: Multicultural Exchange in the Norman Palaces of Twelfth-Century Sicily«. Forschungsstipendien führten sie an verschiedene renommierte Institutionen, u.a. an das Haifa Center for Mediterranean History, das Center for Comparative Empire and Transcultural Studies in Hamburg, das Madrid Institute for Advanced Study und zuletzt an die Italian Academy for Advanced Studies in America der Columbia University.

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Forschungsschwerpunkte:
Materielle Kultur und historische Landschaft des mittelalterlichen Mittelmeerraums; islamische Kunst und Architektur; mittelalterliche Archäologie; urbane Transformation mediterraner Städte; Kreuzritterkunst und die moderne Gestaltung islamischer und mittelalterlicher Kunstsammlungen.

Veröffentlichungen (Auswahl):
  1. (ed. with Nantet, Emmanuel and Manueal Berenguel), »Repositioning the Sea on the Great Altar of Pergamon: A Demonstration of Hellenistic Boat Construction on the Telephos Frieze«, in: American Journal of Archaeology, Bd. 126, Nr. 4 (2022), S. 483–505.
  2. »Barbarism Begins at Home: Islamic Art on Display in Palermo’s Museo Nazionale and Sicilian Ethnography at the 1891–92 Esposizione Nazionale«, in International Journal of Islamic Architecture , Bd. 9, Nr. 1 (2020), S. 91-117.
  3. (ed. by Elisabetta Scirocco and Gerhard Wolf), »From Norman to Hohenstaufen Rule of Sicily: The Representation of Matthew of Ajello in the Liber ad honorem Augusti and the Church of La Magione in Palermo«, in Convivium: Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean, Special Issue: »The Italian South: Transcultural Perspectives 400–1500«, Bd. 5, Nr. 1 (2018), S. 66-79.

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